FTHo

A Lecture exploring time perception, LSD, psychiatric neuroimaging, and schizophrenia.

As part of her exhibition the billion year spree Annika Kahrs has invited a series of guests to create a special programme of performances, concerts and talks.

Saskia Steinmann works at the Psychiatry Neuroimaging Lab of Harvard Medical School, Boston, with the aim to identify biomarkers that predict transition from a high-risk state into a first episode of schizophrenia. From 2010 onwards, the focus of Saskia’s scientific work has been in psychiatric neuroimaging research projects using EEG/ERP, fMRI and DTI with a major interest in the pathophysiological mechanism underlying auditory verbal hallucinations in schizophrenia.

Event is free, no booking required

7-8pm: Talk: Annika Kahrs in conversation with Gareth Bell-Jones
8-9pm: Book Launch: Marius Schwarz, eee books: Annika Kahrs SKOOBEEE

As part of her exhibition the billion year spree Annika Kahrs has invited a series of guests to create a special programme of performances, concerts and talks. On Saturday the 6th join us for an in-conversation with the artist, followed by the book launch of the eeebook Annika Kahrs SKOOBEEE by Marius Schwarz. 

Event is free, no booking is required

Daylong Event at Flat Time House, Artist Run and Peckham Liberal Club

Guest artists and writers include Sally O'Reilly, Megan Rooney, Audrey Reynolds, David Raymond Conroy, Lucy Vann, and Daisy Hildyard.

Organised by RCA Writing Programme in Residence

2pm - 7:30pm: Flat Time House & Artist Run

Artist Run: Unit 6, Bellenden Road Business Park, SE15 4RF

7pm - Late: Peckham Liberal Club: 24 Elm Grove, London, SE15 5DE

What happens on the threshold where the home and the public meet?

What kind of face does a place need to put on to become public-facing – and how can it express welcomeness and be welcomed?

When a house tries to make itself hospitable, what happens to us inside?

Join us for a day of workshops, performances and discussion, moving between three neighbouring venues in Peckham. Events include artist demonstrations, writers' seminars, performances, talks, and a 'pub' quiz full of the unexpected. Guests include Sally O'Reilly, Megan Rooney, Audrey Reynolds, David Raymond Conroy, Lucy Vann, and Daisy Hildyard.

Hosted by Flat Time House in collaboration with MA Writing students from the Royal College of Art.

Attendance is free across all three venues and all events but booking is required.

Click Here to Book a Place

Performance starts at 7pm

Followed by In-conversation and Refreshments

Roar Vol. I - Naz Balkaya (Panicattack Duo), Giulio Dal Lago, Marta Melià

Roar is a series of events curated by trans- which explore the political implications of sound within our visual-saturated daily life. Through conversations, spoken word or live performances, artists, theorists and mediators will exchange thoughts, practices and debates questioning the automatisation of language and behaviours, while investigating the non-functional nature of human voice.

To accompany The Psychopathic Now! on Saturday 8th December FTHo is hosting a reading group with Emmy Beber followed by a film screening event hosted by Jamie Sutcliffe. You are welcome to attend one or both events. Events are free but booking is required for the reading group.

1-3pm: Reading Group with Emmy Beber NOW FULLY BOOKED

Writer Emmy Beber, editor of The Bodies That Remain (Punctum, 2018), leads a reading group based on Jeff Nuttall’s Bomb Culture, extrapolating a bodily politics of frailty, vulnerability and resilience from the post-atomic condition described by Nuttall's evocative text. Readings will be drawn from Bomb Culture and both contemporaneous and contemporary sources. You are welcome to stay and attend the film screening afterwards.

4-6pm: Film Screening with introduction by Jamie Sutcliffe

Writer and exhibition co-curator Jamie Sutcliffe introduces a selection of films that parenthetically book-end Bomb Culture’s political, psychological and aesthetic concerns. Lindsay Anderson’s March to Aldermaston (1959) and Jamie Wadhawan Cain’s Film (1969) record a journey from popular anti-nuclear demonstration to an interest in the possibilities of anti-psychiatry and the insurrection ‘of a million minds’.

Free, no booking required.

Whitechapel Gallery

Flat Time House will be launching NOIT – 4 as part of the London Art Book Fair 2018

FTHo will take part in Table Share: a shared table for invited artists and independent publishers. Each publisher shares the table with another for 2 – 3 hour time slots throughout the duration of the book fair.

NOIT – 4 will be available alongside a selection of other FTHo publications 

Other Publishers include:

AND, Behind the X, Chelsea Space, Common Books, Copy Press, Flat Time House, Clare Gasson, Independents United, Keep it Complex, LCBA, Sara Mackillop, Mörel Books, Oh, OOMK, PrintRoom, Publication Studio, Setsuko, Test Centre, The Everyday Press, We are Publication.

Flat Time House and The Everyday Press are pleased to announce the launch of The Order of Things, a publication celebrating the 2017 exhibition and seminar at The Wilson, Cheltenham.

The book includes texts from Andrew Bick, Jonathan Parsons, Katie Pratt and Jo Melvin, a visual essay from Katrina Blannin along with documentation of the exhibition and seminar encapsulate an ongoing research project.

Come and join The Bad Vibes Club to celebrate the end of their season of events at Flat Time House, and the launch of their Bad Vibes Reader — a group of texts for online distribution. Includes drinks, readings and music.

The new publication documents The Bad Vibes Club's programme of events at Flat Time House and features contributions from Matthew de Kersaint Giraudeau, Hamish MacPherson, Sophie Mallett, Tessa Norton, Residence Kitchen (Jonathan Hoskins and Susannah Worth) and Kathryn Siegel. The Bad Vibes Reader is designed by Flaminia Rossi and edited by Beth Bramich and Matthew de Kersaint Giraudeau.

Places are £10. To book a place and for more detailed information email theresidencekitchen@gmail.com

Residence Kitchen is a project started by Jonathan Hoskins and Susannah Worth last year. It's an ongoing, non-regular events series for working (and eating) through problems of organising, including empowering introversion. Each event is 'scored': Jonathan and Susannah plan things (centred on food) that will be going on over the course of each event, to make it a space ripe for tackling these problems. They're keen for the project to be a space where people with these common concerns can come together repeatedly, over time, towards a more cumulative understanding than just one event can allow. 

Thursday 17th May, 7-9:30pm

Film screening including film and video works by Betsy Bromberg, Holly Pester & Jenny Moore, Carolee Schneemann and Sheffield Film Co-op

Programmed by Beth Bramich & Kathryn Siegel

A screening programme of feminist film and video on the theme of affective and reproductive labour. The programme Bramich and Siegel have put together results from discussions at the Bad Vibes Club reading group over the last six months. In particular, two sessions focussing on Julia Kristeva's 'Women’s Time' and the writing of Eve Kosofsky Sedgwick have influenced this selection. The works programmed explore different forms of labour through poetry, song and experimental and documentary film and will be presented in 16mm film and digital video.

Places are free but very limited.

Email info@badvibesclub.co.uk to book your place. 

Saturday 28 April from 7.30 pm

Free. No booking required

Performance starts: 7:58 pm

Event ends: 9 pm

Mary Hurrell’s 3 (OXIORCAD) is a 40 minute choreographed performative event with live soundscape that takes place across sunset between 7:58pm - 8:38pm at Flat Time House.

3 (OXIORCAD) is the result of a research residency Hurrell undertook working with the John Latham archive. This exhibition as event forms the third part of a project, produced in collaboration with Kunstraum, London, which maps changes in state of an amorphous body. Time is used as a material in Hurrell’s work, acting as a counterbalance to movement, a force of friction or fluidity to form. The trilogy is conceived as one; choreography stretched over time and space via iterations in past, present and future. Part three of the project 3 (OXIORCAD) concludes the project and delivers the work's final ’liquid’ state.