Flat Time House Institute – Living Sculpture, Gallery, Archive and Centre for Alternative Learning
VISIONARIES AND THE ART OF PERFORMANCE 62nd Festival of Two Worlds, Spoleto, Italy
28 June–14 July 2019
For the first time Flat Time House is contributing to a display of works by John Latham at the 62nd Festival of Two Worlds, Spoleto, Italy.
The Sir Denis Mahon Charitable Trust, in collaboration with Flat Time House, Richard Saltoun, Ulay Foundation and Age of Future, present 'Visionaries and the Art of Performance', previously on display at Guildhall Art Gallery in London (11 December 2018 – 30 April 2019). Through the work of several artists, the exhibition suggests that visionary qualities are not exclusive to one period or personality, but they are enduring characteristics of artistic creativity.
The exhibition includes work by John Latham, Edward Coley Burne-Jones, William Blake and ULAY amongst others.
MACHISMO AT VILLA LONTANA, ROME
25 May – 20 July 2019
FTHo's friends at Villa Lontana present, MACHISMO, the third in a series of contemporary art exhibitions in collaboration with Fondazione Dino ed Ernesta Santarelli’s Collection. The series aims to create fluid platforms of encounter between the sculptures and works from the collection with contemporary art practices.
Curated by Jo Melvin and Vittoria Bonifati.
CONSTELLATIONS 2019-20 - ARTIST ANNOUNCEMENT
We are thrilled to announce our Constellations 2019/20 artists! The selected group of 8 artists from across the UK will come together, collaborate and experiment with models of co-creation and social practice. The artists joining Constellations for the period April 2019 - January 2020 are: Angharad Davies, Katie Fiore, Miki Holloway, Dunya Kalantery, Hannah Kemp-Welch, Edwin Mingard, Mai Omer and Amanda Ramasawmy.
Constellations is a research and development programme for artists who are working with socio-political issues, community-oriented practice and/or public contexts. The programme supports artists who are interested in further developing their practice, collaborating with others, and accessing new networks, with the opportunity to study and research at Flat Time House between monthly workshop sessions.
Paying Close Attention - Working in Industry Aspex Gallery, Portsmouth
2-4pm Saturday 2nd March 2019
THIS EVENT IS ON THE 2ND MARCH not 2nd April as previously advertised
Gareth Bell-Jones, Curator and Director of Flat Time House, Dr Erika Balsom, Senior Lecturer in Film Studies at King’s College London will join artist/film maker Amanda Loomes to discuss observation, the Artist Placement Group and working in industry.
Amanda’s current exhibition Formation Level is on show at Aspex until 24 March 2019. The former civil engineer, turned artist uses experimental documentary techniques to record the processes and hidden narratives of the labour and materials embedded in our roads, including the manufacture of road sweepers.
Visions and Visionaries Guildhall Art Gallery, London
11 December 2018–30 April 2019
Visions and Visionaries opening on the 11th December at Guildhall Art Gallery presents John Latham alongside a host of other visionary artists. included are Sir John Gilbert’s depiction of two knights ambushed by fairies in a moon-lit forest, Marcello Pecchioli’s ‘Alien Priest’, and John Latham’s experimental screen print, NO IT, 1967. These works are presented together alongside work by Edward Burne-Jones, currently, the subject of a major exhibition at Tate Britain; Dante Gabriel Rossetti; John Everett Millais; and Turner Prize-winning ceramicist, Grayson Perry.
Free entry. Guildhall Art Gallery, Guildhall Yard, London, EC2V 5AE
Better Books | Better Bookz Art, Anarchy, Apostasy, Counter-culture & the New Avant-garde
Rozemin Keshvani, Axel Heil, Peter Weibel (eds.)
The legendary independent London bookstore Better Books on the Charing Cross Road was the hub for Allen Ginsberg, William S. Burroughs, Alexander Trocchi, John Latham, Jeff Nuttall, Bob Cobbing, Barry Miles, Gustav Metzger, and countless others, for their ideas and approaches to art, film, literature, and activism. With its unique range of books, offbeat events, poetry readings, film screenings, and happenings, Better Books became the hot spot of London’s 1960s counter-culture scene.
This book is the first to examine this special historic moment, combining previously unpublished texts, documents, and photographs with the voices of the protagonists who authored this revolution.
With Essays by Rozemin Keshvani and Barry Miles and contributions by Philip Cohen, Stephen Dwoskin, John Hopkins, Graham Keen, Bruce Lacey, Gustav Metzger, Jeff Nuttall, Frank Popper, Criton Tomazos, and Islwyn Watkins.
This book follows the exhibition by the same name, curated by Rozemin Keshvani, that was presented at ZKM, Karlsruhe; at Flat Time House, London; and at Trondheim kunstmuseum.
Fabriques de contre-savoirs at 49 Nord 6 Est – Frac Lorraine
Opening: November 8, 7–9pm
49 Nord 6 Est – Frac Lorraine, Metz, France
Artists: Jay Chung & Q Takeki Maeda, ground (Marlie Mul & Harry Burke), Sheila Levrant de Bretteville, Alex Martinis Roe, Eva Weinmayr, accompanied by works and projects by John Latham
For this group exhibition, 49 Nord 6 Est—Frac Lorraine spotlights non-systematic processes of dissemination of information and alternative modes of sharing knowledge. The British conceptual artist John Latham (1921–2006) developed a body of theories that occasionally delved into contradiction, sowing confusion, provoking disapproval, or stirring enthusiasm. His approach constitutes the groundwork of this show, which brings together artistic practices of different backgrounds and generations. The accessibility of knowledge and its arbitrary dissemination raise issues addressed by the artists who explore alternative paths. At a time when the gap between opinion and knowledge is closing, and the relationship between materiality and knowledge is undergoing a profound transformation, the present project introduces approaches that reflect processes of information transmission in order to reevaluate the experiences produced by these practices.
INCIDENTAL UNIT COORDINATOR ANNOUNCED
We're thrilled to introduce Polly Wright, who has joined us as the Coordinator of the Incidental Unit, a new group formed in 2016 with direct support of the Artist Placement Group (APG - 1966-89), and O+I (1989-2009), in order to continue to develop a rigorous approach to socially engaged art practice today.
Polly's immediate focus will be facilitating the Incidental Futures programme in collaboration with the rest of the Incidental Unit. In 2018-19 the IU is working towards six public meetings at Eastside Projects, Birmingham; Spike Island, Bristol; Summerhall, Edinburgh; Bluecoat, Liverpool; The Whitworth, Manchester; and Baltic 39, Newcastle; followed by a large-scale launch event at the South London Gallery, Peckham. We're delighted this project will benefit from Polly's expertise and enthusiasm.
Please click through for more information
WE ARE RECRUITING - Incidental Unit Programme Coordinator
The Incidental Unit (IU) was formed in 2016 with direct support of the Artist Placement Group (APG - 1966-89), and O+I (1989-2009), in order to continue to develop a rigorous approach to socially engaged art practice today. IU provides critical support space in which to discuss and exchange ideas with artists, curators and 'incidental persons' without the expectations or evaluative frameworks of an artistic commission, gallery briefing or social project. To this end, IU draws out key ideas, methods, process and rationale for maintaining the independent and critical work of artists and curators, connecting the historical legacy of APG with the complex nature of social practice now.
In 2018-19 the IU is working towards six public meetings at institutions in Birmingham, Bristol, Edinburgh, Liverpool, Manchester and Newcastle followed by a large-scale launch event in London. We are recruiting an individual to coordinate the activity and programming of the Incidental Unit over this time period.
Deadline for applications: 19 August
Please click through for further information and job description
John Latham: Skoob Works Lisson Gallery, New York
2 May–16 June 2018
Lisson Gallery presents its first New York exhibition of British artist John Latham (1921–2006). The exhibition reveals Latham’s remarkable multi-faceted practice through works made throughout his career, focusing on his “skoob” pieces, and highlighting his powerful contribution and lasting influence on the global development of Conceptual art.
Artist Studio Museum Network
Flat Time House is delighted to announce we are now part of the Artist Studio Museum Network
The future of Flat Time House, Peckham, the studio home of the late British artist John Latham, has been secured. The Estate of John Latham and Flat Time House Institute are delighted to announce that a purchaser for 210 Bellenden Road has come forward, generously allowing Flat Time House Institute to continue operating in its current premises. The Santarelli Family and Dino and Ernesta Santarelli Foundation will take ownership of the property that accommodates Flat Time House and the institute will continue to operate independently in the original studio and home of John Latham.
ON AIR tours Flat Time House with Gareth Bell-Jones
ON AIR is a series of podcasts presented by Hana Noorali for Lisson Gallery to engage and disseminate the music, poetry, creative writing, radio plays and composition of their gallery artists.
The fifth episode of the podcast 'ON AIR' joins curator Gareth Bell Jones on an audio tour of Flat Time house, the former studio and home of John Latham (1921-2006) located at 210 Bellenden Road, Peckham, London.
If you would like any further information please contact Gareth Bell-Jones, Curator/Director, on +44 (0)20 7207 4845 or write to firstname.lastname@example.org
You can support Flat Time House and it's activities by making a one-off donation of any size. As a registered charity, all donations directly support our education and exhibition programmes.