DR SINCLAIR'S DRAWER Katrina Palmer with Samuel Hasler, Francesco Pedraglio and Sarah Tripp
9 October–23 November 2014 | Opening Wednesday 8 October 6–9pm
Produced by Book Works and Flat Time House with artist Katrina Palmer following her residency in Summer 2013, and featuring work by Katrina Palmer, Francesco Pedraglio, Samuel Hasler and Sarah Tripp, this exhibition comprises writing, sound recordings, video, sculpture and printed matter, presented in conversation with the physical and symbolic environment of John Latham’s former home and studio.
WHY EDIT? APPROACHES TO EDITING IN INDEPENDENT ART PUBLISHING
23 October 2014 6.30–9pm
This workshop will act as an introduction to the process of editing in relation to artists’ books, covering questions relating to both writing and images, collaborative writing practices, rules and protocol, grammar and the spoken word, as well as the more nitty-gritty issues regarding collating texts, images, captions, and proofing.
Flat Time House (FTHo) was the studio home of John Latham (1921-2006), recognised as one of the most significant and influential British post-war artists. In 2003, Latham declared the house a living sculpture, naming it FTHo after his theory of time, ‘Flat Time’. Until his death, John Latham opened his door to anyone interested in thinking about art. It is in this spirit that Flat Time House opened in 2008 as a gallery with a programme of exhibitions and events exploring the artist's practice, his theoretical ideas and their continued relevance. It also provides a centre for alternative learning, which includes the John Latham archive, and an artist's residency space.
PHYNANCE RESIDENCY 2015 ARTIST ANNOUNCED
Following an open call this summer we are pleased to announce that Alex Frost is the recipient of the 2015 Phynance Residency and will be in residence at Flat Time House for 4 months from November. The residency will culminate with an exhibition and publication in 2015.
NOIT – 2
Published June 2014
Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo's creative journal published in conjunction with Camberwell Press. NOIT–2, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham's ideas, has been deployed by artists in various ways.
CARLYLE REEDY Icons of a Process
A publication to accompany the exhibition edited by Karen Di Franco and Guy Brett. Published by Flat Time House in conjunction with CHELSEA space.