FTHo

Organised with Parrhesiades

Join us for the launch event: Saturday 20 April 2019 6-9pm

Continues to: 11 May

Sung Tieu has collated, staged and reinterpreted a selection of material from extensive research of the John Latham archive.  Selected documents mesh and interweave Tieu’s personal histories with those of John Latham creating a visual essay throughout Flat Time House. This intuitive personal account uses Latham’s voice to entangle the private and the personal with global social and financial narratives.

Formative Years On Dearth acts as the inauguration of our partner Parrhesiades, a multi-platform project for artists working with language, either written, spoken or otherwise performed.

The project takes place over three physical venues in Camberwell and Peckham. These are identified as The Yard, The Room and The Institution. The work also appears online.

The Yard and The Room are walking distance from FTHo and open from 12-6pm.

Annika Kahrs one point eight billion years (score), 2019

Special Introductory Price - £200

On the occasion of the billion year spree, Annika Kahrs has created a hand painted edition for Flat Time House which you can buy now. The work recreates in spray paint the waveform of the moment of detection of gravitational waves at the LIGO laboritory in 2015. Painted on raincoat faric, the work is intended to be used as a table cloth or wall hung. Edition of 20.

We are thrilled to announce our Constellations 2019/20 artists! The selected group of 8 artists from across the UK will come together, collaborate and experiment with models of co-creation and social practice. The artists joining Constellations for the period April 2019 - January 2020 are: Angharad Davies, Katie Fiore, Miki Holloway, Dunya Kalantery, Hannah Kemp-Welch, Edwin Mingard, Mai Omer and Amanda Ramasawmy.

Constellations is a research and development programme for artists who are working with socio-political issues, community-oriented practice and/or public contexts. The programme supports artists who are interested in further developing their practice, collaborating with others, and accessing new networks, with the opportunity to study and research at Flat Time House between monthly workshop sessions.

After some years of nomadic existence, The Impossible University are taking up residence at Flat Time House from the autumn of 2019. We will continue to gather in the insistent and determined spirit of an anti-institution as a place of exchange and camaraderie that might lead to new ways of working or producing.

Visions and Visionaries opening on the 11th December at Guildhall Art Gallery presents John Latham alongside a host of other visionary artists. included are Sir John Gilbert’s depiction of two knights ambushed by fairies in a moon-lit forest, Marcello Pecchioli’s ‘Alien Priest’, and John Latham’s experimental screen print, NO IT, 1967. These works are presented together alongside work by Edward Burne-Jones, currently, the subject of a major exhibition at Tate Britain; Dante Gabriel Rossetti; John Everett Millais; and Turner Prize-winning ceramicist, Grayson Perry.

Free entry. Guildhall Art Gallery, Guildhall Yard, London, EC2V 5AE

by Noa Latham

NOIT is a creative journal published by Flat Time House. Comprising new writing and visual contributions, NOIT explores the theoretical concerns and artwork of John Latham (1921–2006), and their continued relevance.

The fourth edition, NOIT — 4 Reflections, is dedicated to writing by Noa Latham on his father’s art and ideas. It provides one of the most comprehensive overviews of John Latham’s cosmology printed to date and combines a decades long critical investigation into his fathers work with intimate account of their time together.

NOIT — 4 Reflections is in a new larger format and full colour. It is available for £15

AVAILABLE TO PURCHASE NOW from the FTHo website