Thursday 2 July, 7.00pm. Offsite at the PeckhamPlex
A screening curated by LUX Artists’ Moving Image Curator in Residence Ellen Greig.
Property Guardian by Alex Frost
5 June – 2 August Opening 4 June 6–9pm
An exhibition of new mixed media sculptures and drawings that use and manipulate motifs relating to the home and domesticity, from Alex Frost’s residency at Flat Time House. A reflexive exercise, these works have been made whilst living and working in a home, gallery and archive. They have developed out of an investigation into the role of artists within a community, and the way in which the living conditions of artists have been politicised through the current culture of property speculation, and property guardianship programmes in particular. Alex’s work is made not with any critical distance but rather from a conflicted and implicated position.
Save Flat Time House
Flat Time House Institute needs to buy and conserve
its home, John Latham’s living sculpture, FTHo, or face closure.
Please help us safeguard the future of this unique space.
Flat Time House (FTHo) was the studio home of John Latham (1921-2006), recognised as one of the most significant and influential British post-war artists. In 2003, Latham declared the house a living sculpture, naming it FTHo after his theory of time, ‘Flat Time’. Until his death, Latham opened his door to anyone interested in thinking about art. It is in this spirit that Flat Time House opened in 2008 as a gallery with a programme of exhibitions and events exploring the artist's practice, his theoretical ideas and their continued relevance. It also provides a centre for alternative learning, which includes the John Latham archive, and an artist's residency space.
The Incidental Person: Julika Gittner
August 2014 – 2015
Julika Gittner is currently undertaking a long-term residency with Flat Time House and Southwark Council Planning Department. Julika will be observing planning processes with a particular focus on regeneration and the ‘designing out’ of so-called anti-social activities. She will be looking at how abstract political decisions translate into physical realities in public spaces through a process involving meetings, workshops, and objects.
NOIT – 2
Published June 2014
Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo's creative journal published in conjunction with Camberwell Press. NOIT–2, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham's ideas, has been deployed by artists in various ways.