FTHo

The N-U graduate residency is intended give mentorship to an emerging artist, as well as time and space to research and develop their artistic consciousness

Flat Time House will operate as a testing ground where The IMS Project will present new hypotheses and findings over 2 weekends

A collaborative video essay program conceived by MFI Group as part of PAMI

A meeting to articulate a collective reflection on the contemporary role of the art institution in the current economic, cultural and political climate. The project is initiated in collaboration with Van Abbemuseum | The Netherlands, MOSTYN | Wales and Galeria Labyrint | Poland

Flat Time House hosts a project by three students of curating at Chelsea College of Art and Design presenting work by Nicholas Johnson and Haruka Hashiguchi

The Future Is Social explores the production of art through collaboration and participation. For two-weeks artist Sonia Boyce and post-graduate students from Camberwell, Chelsea and Wimbledon Colleges of Art (University of the Arts London) will be resident at Flat Time House making social sculpture from everyday interactions. Through performance, discussion and the creation of art they will consider issues of ownership, the gift economy and the aesthetics of documentation.

Part of 100 Days, marking the countdown to the 15th UN Conference of the Parties on Climate Change (COP 15) opening in Copenhagen on 7 December.

There will be changing displays at FTHo throughout this period, as works come in and out of the house for conservation by Helen Foster Spragge. 

Bruno Pelassy produced a funny, incisive and baroque body of work, including a manifesto film, Sans titre, sang titre, cent titres, which Marie Canet uses to highlight connections between Pelassy's work and the AIDS virus that took his life in 2002. 

You can support Flat Time House and it's activities by making a one-off donation of any size. As a registered charity, all donations directly support our education and exhibition programmes.

Youth Administrator has been created for the exhbition Dr Sinclair's Drawer and co-published by Flat Time House and Book Works.

Published on the occasion of the exhibition Antiknow: A pedagoical theatre of unlearning and the limits of knowledge and consisting of the collection of Antiknow Research Reports produced by the Antiknow Research Group, this publication includes transcripts and leftover material engaged in elaborating possible meanings and consequences of the term Antiknow in the current context of so-called knowledge economy.

A publication to accompany the exhibition with contributions from the exhibiting artists plus John Hill, Nina Power and Howard Slater.

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NOIT is a creative journal published by Flat Time House Institute (FTHo) and Camberwell Press. Comprising new writing and visual contributions with each issue edited by a guest editor, NOIT explores the theoretical concerns and art work of John Latham, and their continued relevance. The title NOIT is a term Latham created by reversing the suffix ‘-tion’ which converts verbs into abstract nouns to challenge the process of turning events and actions into things. It is the sign of an activity that ‘defies its own definition by denying the validity of any given definition’.