FTHo

Now in its third year, the N-U* graduate residency is intended give mentorship to an emerging artist, as well as time and space to research and develop their artistic consciousness.

Published on the occassion of Winter Garden, an exhibition and events programme of performances, readings and broadcasts made in response to John Latham's garden in winter. 

Organised by MA Culture, Criticism and Curation students at Central Saint Martins, There was an opening, the carpet was squishy is an exhibition of works by Paulien Barbas, Russell Hill, Vesta Kroese and Ryan Rivadeneyra at Flat Time House. These distinctive international artists will work in video, performance and installation to reimagine the possibilities of experimental practice.

Their work will be informed by archival material relating to Gallery House; the independent, avant-garde gallery that provided a space in London from 1972 to 1973 for artists to work uncensored and without commercial considerations.

Flat Time House will become an intensive workshop linking art made on site and discussions with Gallery House participants, such as the curator Sigi Krauss. The project is based on open research and live art practice.

We are pleased to announce, following an open call earlier this year, that we have jointly awarded the state 0 research residency to Katherine Jackson and Sophia Satchell Baeza. Both Katherine and Sophia will each spend a month in residence at Flat Time House undertaking research in our archive.

Published on the occasion of the exhibition Dr Sinclair's Drawer. 

Following an open call this summer we are pleased to announce that Alex Frost is the recipient of the 2015 Phynance Residency and will be in residence at Flat Time House for 4 months from November. The residency will culminate with an exhibition and publication in 2015.

A publication to accompany the exhibition edited by Karen Di Franco and Guy Brett. Published by Flat Time House in conjunction with CHELSEA space.

Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo's creative journal published in conjunction with Camberwell Press. NOIT–2, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham's ideas, has been deployed by artists in various ways.

In partnership with the Barry Flanagan Foundation, Flat Time House is accepting applications from established artists for a residency to begin in November 2014.

Flat Time House are pleased to announce that following an open call of over 300 applications, Simon & Tom Bloor have been selected as PHYNANCE resident artists.

The MFI graduate award is a 12 month discussion and study programme based at Flat Time House. It is awarded each year to selected new graduates with the aim of supporting their development as artists outside of formal education

A conversation around experimental education, its histories and current incarnations

The N-U graduate residency is intended give mentorship to an emerging artist, as well as time and space to research and develop their artistic consciousness

Flat Time House will operate as a testing ground where The IMS Project will present new hypotheses and findings over 2 weekends

A collaborative video essay program conceived by MFI Group as part of PAMI

A meeting to articulate a collective reflection on the contemporary role of the art institution in the current economic, cultural and political climate. The project is initiated in collaboration with Van Abbemuseum | The Netherlands, MOSTYN | Wales and Galeria Labyrint | Poland

Flat Time House hosts a project by three students of curating at Chelsea College of Art and Design presenting work by Nicholas Johnson and Haruka Hashiguchi

The Future Is Social explores the production of art through collaboration and participation. For two-weeks artist Sonia Boyce and post-graduate students from Camberwell, Chelsea and Wimbledon Colleges of Art (University of the Arts London) will be resident at Flat Time House making social sculpture from everyday interactions. Through performance, discussion and the creation of art they will consider issues of ownership, the gift economy and the aesthetics of documentation.

Part of 100 Days, marking the countdown to the 15th UN Conference of the Parties on Climate Change (COP 15) opening in Copenhagen on 7 December.