FTHo

Lisson Gallery presents its first New York exhibition of British artist John Latham (1921–2006). The exhibition reveals Latham’s remarkable multi-faceted practice through works made throughout his career, focusing on his “skoob” pieces, and highlighting his powerful contribution and lasting influence on the global development of Conceptual art.

Flat Time House hosted The Bad Vibes Club in 2017-18, a forum for research into negative states, founded by Matthew de Kersaint Giraudeau in 2014.

Mary Hurrell will be on residence during October and November 2017 at FTHo, as part of the Radical Affinities collaborative curatorial project between Kunstraum and Flat Time House, London, supported by Cockayne, Grants for the Arts. During the residency Hurrell will be using the John Latham Archive to develop research towards a new body of work.

The Radical Affinities residency will culminate with a solo exhibition and performance at Kunstraum and FTHo in 2018.

Constellations is a research and development programme for artists who are either working with, or have the desire to work with people in community contexts. The programme supports artists to develop their practice, collaborate with others, access new networks, and spend time at Flat Time House as a place to study and research between monthly workshop sessions.

Group members: Beverley Bennett, Connie Butler, Ting-Ting Cheng, Edmund Cook, Carla Cruz, Sophie Hoyle, Gal Leshem, Camara Taylor.

A new collaboration between UP Projects and Flat Time House.

We are excited to announce that the following artists will be joining Constellations as members of the working group: Beverley Bennett, Connie Butler, Ting-Ting Cheng, Edmund Cook, Carla Cruz, Sophie Hoyle, Gal Leshem and Camara Taylor. Running from October 2017 – May 2018, the group will explore different methods and approaches to artistic research and community-orientated practice, through a series of day-long monthly workshops hosted by Flat Time House. Alongside the workshops, there will also be two public events, the form and content of which will be shaped and determined by the group collaboratively.

The future of Flat Time House, Peckham, the studio home of the late British artist John Latham, has been secured. The Estate of John Latham and Flat Time House Institute are delighted to announce that a purchaser for 210 Bellenden Road has come forward, generously allowing Flat Time House Institute to continue operating in its current premises. The Santarelli Family and Dino and Ernesta Santarelli Foundation will take ownership of the property that accommodates Flat Time House and the institute will continue to operate independently in the original studio and home of John Latham.

Edited by Marc Camille Chaimowicz and Andrew Wheatley

Take a little piece of Flat Time House home with you! For The Shift exhibition, Antony Hudek has created stickers of the phrase 'the shift' replicated exactly as it appears on the walls throughout Flat Time House. Their presence refers to the shift in perception from rational to intuitive thought as well as the paradigm shift that would be required for the establishment to take on board the new cosmology presented by Latham’s theory of ‘Flat Time’.

The Open Sky, was published by Rory Pilgrim in conjunction with his show at Flat Time House. 

This exhibition and events programme brings together the work of the six graduating students from the MA Sound Arts at London College of Communication, UAL. The show presents an opportunity to encounter the rich diversity of practices emerging from this course, now in its eighth year. Playfully borrowing the title of Judith Butler's eponymous 1993 book on the iterative nature of performativity and its political implications, the works of the six artists, foregrounded in the embodied processes of listening, engage questions of gesture and labour, translation and memory, amongst other critical interests, in work that spans performance, installation and sound poetry.

Published on the occassion of the exhibition Property Guardian

FTHo's artist and curator-led workshops, on-going and creative archiving projects are challenging learning experiences for undergraduate and postgraduate students.

Now in its third year, the N-U* graduate residency is intended give mentorship to an emerging artist, as well as time and space to research and develop their artistic consciousness.

Published on the occassion of Winter Garden, an exhibition and events programme of performances, readings and broadcasts made in response to John Latham's garden in winter. 

Organised by MA Culture, Criticism and Curation students at Central Saint Martins, There was an opening, the carpet was squishy is an exhibition of works by Paulien Barbas, Russell Hill, Vesta Kroese and Ryan Rivadeneyra at Flat Time House. These distinctive international artists will work in video, performance and installation to reimagine the possibilities of experimental practice.

Their work will be informed by archival material relating to Gallery House; the independent, avant-garde gallery that provided a space in London from 1972 to 1973 for artists to work uncensored and without commercial considerations.

Flat Time House will become an intensive workshop linking art made on site and discussions with Gallery House participants, such as the curator Sigi Krauss. The project is based on open research and live art practice.

We are pleased to announce, following an open call earlier this year, that we have jointly awarded the state 0 research residency to Katherine Jackson and Sophia Satchell Baeza. Both Katherine and Sophia will each spend a month in residence at Flat Time House undertaking research in our archive.

Published on the occasion of the exhibition Dr Sinclair's Drawer.