FTHo

Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo's creative journal published in conjunction with Camberwell Press. NOIT–2, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham's ideas, has been deployed by artists in various ways.

Bruno Pelassy produced a funny, incisive and baroque body of work, including a manifesto film, Sans titre, sang titre, cent titres, which Marie Canet uses to highlight connections between Pelassy's work and the AIDS virus that took his life in 2002. 

Youth Administrator has been created for the exhbition Dr Sinclair's Drawer and co-published by Flat Time House and Book Works.

Published on the occasion of the exhibition Antiknow: A pedagoical theatre of unlearning and the limits of knowledge and consisting of the collection of Antiknow Research Reports produced by the Antiknow Research Group, this publication includes transcripts and leftover material engaged in elaborating possible meanings and consequences of the term Antiknow in the current context of so-called knowledge economy.

A publication to accompany the exhibition with contributions from the exhibiting artists plus John Hill, Nina Power and Howard Slater.

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NOIT is a creative journal published by Flat Time House Institute (FTHo) and Camberwell Press. Comprising new writing and visual contributions with each issue edited by a guest editor, NOIT explores the theoretical concerns and art work of John Latham, and their continued relevance. The title NOIT is a term Latham created by reversing the suffix ‘-tion’ which converts verbs into abstract nouns to challenge the process of turning events and actions into things. It is the sign of an activity that ‘defies its own definition by denying the validity of any given definition’.