FTHo

The art of William Blake (1757-1827) is inseparable from the strict rationalism of the Enlightenment period from which it emerged. His imaginative, mystical prints draw from poetry, Christianity, and a reawakening of mythology in British art. One generation later comes another featured artist, the Pre-Raphaelite visionary Edward Coley Burne-Jones (1833-1898). He too strives for a sense of divinity in his work; stained-glass is an inherently ecclesiastical medium, and his work for a number of churches reinforces his symbolist vision. Later, John Latham (1921-2006) would look to the cosmos and theoretical physics to reach the transcendence that Blake and Burne-Jones achieved through religion.

It is appropriate that, as this exhibition migrates from London to Spoleto, it should incorporate several new artists. ULAY (b.1943), a visionary of twentieth-century performance art, will feature alongside those mentioned already. Following his work with photography, he pioneered a visceral approach to performance and body art, experimenting with emotional relationships, physical pain and cinematography. His ongoing work extends into the present day, and, alongside a collection of artists from 'Age of Future', should provide a contemporary example of what it means to be visionary in the twenty-first century.

A subtle thread links this exhibition to Spoleto. Sir Denis Mahon and Gian Carlo Menotti were not only similar in their generosity and philanthropism, but also in their love of opera. It is recorded that the two great men had met in person and, though Sir Denis is best known for his academic contribution to 17th century Italian painting, his passion for opera should not go unnoticed.