Southwark Education Research Project: Reactivated
At FTHo 16 March – 8 April 2018 /// Opening: 15 March 6-9pm
At Tate Exchange 18 - 22 April 2018
Between 1989 and 1995 the Southwark Education Research Project engaged over 1,500 children and teachers by placing artists in fifteen schools across the London borough of Southwark. For this radical project, artists John Latham, Barbara Steveni, Rita Keegan, Carlyle Reedy and David Carr looked at the role of contemporary art in relation to learning and educational restructuring. This exhibition revisits SERP’s significance at a time when the arts in education are increasingly under threat from shifts in policy and the contraction of opportunity for young people to engage with art and culture in-school.
SERP Reactivated will draw on significant archives of the original 1989 – 1995 SERP Project, alongside new work created through collaboration between Barby Asante and Barbara Steveni with current Southwark school children.
SERP Reactivated is part of a wider project organised by Peckham Platform which will also travel to Tate Exchange.
Mary Hurrell - 2 (Aerial) Kunstraum, London
Opening: Friday 9 March 6:30 - 9pm
Exhibition at Kunstraum, 21 Roscoe Street, London
Performance on 24 March
Exhibition continues until 14 April
Mary Hurrell's 2 (Aerial) is the second part of a project, produced in collaboration between Kunstraum and Flat Time House, which maps changes in state of an amorphous body. The trilogy is conceived as one choreography stretched over time and space. Time is used as a material in Hurrell's work, acting as a counterbalance to movement, a force of friction or fluidity to form.
Having departed from resistant, glacial motion and crystallized forms in 1 (Pitch), 2 (Aerial) moves to a lower viscosity. The dominant materials in 2 (Aerial) – glass and rubber – share characteristics of conversion; structures between solid and liquid states. The transition between states is expressed through sound, video and choreography. The recorded voice stretches into an elongated soundscape, mapping an intangible body. Glass sculptures rest suspended in space; melding the conflicting characteristics of weight and transparency. States of intimacy and distance collapse and conjoin as the cyclical movement of two projected bodies fuse together.
Hurrell's project follows on from a research residency at Flat Time House in London and the performance 1 (Pitch), organized by Fluent, held at Centro Botin, Santander, Spain. The Cycle will conclude with an event at Flat Time House on 28 April.
Ben Cain - Passive Imperative Participation Vibe
26 January – 25 February 2018 FINAL WEEK
Opening: Thursday 25 January - 6.30-8.30pm
Open: Thursday - Sunday 12-6pm
This solo exhibition by London and Zagreb based artist Ben Cain, brings together a new body of work that responds to John Latham’s thinking on time and the event based nature of objects. Drawing on the domestic spaces of Flat Time House Cain creates an installation throughout Latham’s former home. Cain’s work explores art’s ambiguous relationship to industry, commodification and immaterial labour. He is interested in how artworks might pose questions about what we think they are doing and, by implication, our role as viewers in their social and cultural production. For Passive Imperative Participation Vibe Cain has focused on a subjective experience of time via labour, leisure and domestic living.
Lina Hermsdorf - State 0
28 Sept – 5 Nov 2017 | Opening: Wed 27 Sept 2017 - 6.30-8.30pm
With contributions by: Emmy Beber, Dean Kissick, John Latham
For her first institutional show in the UK, Lina Hermsdorf presents an architectural transformation of Flat Time House with an immersive sound installation throughout John Latham’s studio home. For this new commission, Hermsdorf uses large sheets of reinforced glass to divide the rooms of Flat Time House creating different sound spaces in which viewers may experience a temporal dissonance. The exhibition environment is used as a time-based medium with the viewer at the centre of a series of non-linear scripted narratives. Over the course of the show performances will take place within the installation.
Lina Hermsdorf – Vantage Point Künstlerhaus Bremen
20 May – 13 August 2017
Flat Time House is pleased to collaborate with Künstlerhaus Bremen on Lina Hermsdorf's exhibition Vantage Point with contributions by Casper-Malte Augusta and John Latham and sound design by Marian Mentrup.
Lina Hermsdorf´s exhibitions unfold as time-based processes that place the experience of the viewer at their centre. Their non-linear, polysemous narratives often materialize in installations and performances, with a particular focus on biological phenomena relating to the corporeal and temporal texture of technologically infiltrated bodies. Frequently taking into account the specific histories of her performers, Hermsdorf combines biographical material with a multitude of voices, forming avatar-like characters that meander between virtual and physical realities.
5 April–21 May 2017
Exhibition introducing Flat Time House and John Latham with Giles Bailey, Anna Barham, Laure Prouvost and David Toop.
6 April - 21 May 2017
Open: Thursday - Sunday 12-6pm
Opening Event: 5 April, 6-8pm
Exhibition Tours: Saturdays in April
ALL TOURS NOW CONCLUDED. IF YOU WOULD LIKE AN EXHIBITION TOUR PLEASE EMAIL: gareth (at) flattimeho.org.uk
To celebrate the newly secure future of FTHo and in collaboration with the Serpentine Galleries, the space will open from the 6th of April with a new exhibition. Living Sculpture acts as an introduction to FTHo and John Latham’s conception of Flat Time. A highlight of the exhibition is Latham’s large text and spray paint work ‘Twentieth Century Trajectory’. This work, which demonstrates the convergence of art and science, is on public view for the first time. Throughout the exhibition will be newly commissioned work by artists with a relationship to Latham and FTHo including Laure Prouvost, Giles Bailey with David Toop and Anna Barham.
Tears Shared Marc Camille Chaimowicz featuring Bruno Pélassy
16 June – 31 July 2016 | Opening 15 June, 6.30 – 8.30pm
For Tears Shared Marc Camille Chaimowicz has created a specially commissioned installation throughout the whole of Flat Time House. The exhibition includes the first UK presentation of Bruno Pélassy curated by Marie Canet and a selection of glassware from Chaimowicz’s personal collection of pressed glass.
The Shift Eight Years of Flat Time House
20 April 2016 - 29 May 2016 | Opening 20 April, 6.30–8.30pm
In the eight years since Flat Time House opened, the stencil letters sprayed by John Latham on the walls stating 'the shift' have been a constant, ever-present amongst the works in exhibitions and a backdrop to all the events and discussions that have taken place. Their presence refers to the shift in perception from rational to intuitive thought, as well as the paradigm shift that would be required for the establishment to take on board the new cosmology presented by Latham’s theory of ‘Flat Time’.
Bandits Live Comfortably in the Ruins
3 March – 2 April | Opening 2 March, 6.30–8.30pm
Flat Time House presents Bandits Live Comfortably in The Ruins, curated by Irish artist Sean Lynch. The exhibition broadly explores the attitudes that underpin human relationships to the environment. There is no masterplan of coherence here, or indeed any transcendental experience to be had. Instead, a series of artistic positions, objects and artefacts bargain and improvise through hard-won perseverance and novel invention. This loose grouping proposes no tranquil uniformity or comforts of identifying with history and heritage. Instead, everything constantly mutates, and nothing ever stays the same. Including works by Seanie Barron, Stephen Brandes, John Carson, Burke Kennedy Doyle, Michele Horrigan, Sam Keogh, John Latham, Fiona Marron, Eilis O’Connell, Freek Wambacq and materials from Country Life and British Telecom.
Rory Pilgrim – The Open Sky
14 January – 21 February | Opening 13 January, 6.30–8.30pm
For his first solo exhibition in London, Rory Pilgrim presents a constellation of works that explore the relationship between words, age and intergenerational dialogue as a radical proposition. Centred on a new film work that concludes his film trilogy Sacred Repositories, The Open Sky is developed through working with 5 women who lived through the radical movements of the 60s and 70s. Narrated by their words and poetry, the film becomes intertwined with the words and songs of women from younger generations. Exploring ideas of time, family and solidarity Pilgrim attempts to create a home for language past, present and future at Flat Time House that endeavours to allow words to remain a transformative tool of action.
Edward Krasiński Solidarity Avenue/Aleja Solidarności
9 October – 29 November | Opening 8 October 6.30–8.30pm
This exhibition brings together artworks and archival material documenting Edward Krasiński’s apartment installation, paralleling and contrasting it with the work of John Latham and the living sculpture of Flat Time House. Organised in partnership with Avant-Garde Institute, which is run by Foksal Gallery Foundation, the exhibition includes works by the two main protagonists, films by Babette Mangolte and Ryszard Waśko, and photographs by Marek Niemirski, Eustachy Kossakowski, and Krzysztof Wojciechowski. Organised with Avant-Garde Institute, Foksal Gallery Foundation and culture.pl
22 August – 19 September | Opening 21 August 6–9pm
'Common Enemies' is an exhibition of work from Julika Gittner’s year-long Incidental Person residency with Flat Time House and Southwark Council’s Planning Department.
Pivot a closed path
6 August – 16 August | Opening 5 August 6–9pm
New works by Fiona Marron following on from her residency at FTHo.
Property Guardian by Alex Frost
5 June – 2 August Opening 4 June 6–9pm
An exhibition of new mixed media sculptures and drawings that use and manipulate motifs relating to the home and domesticity, from Alex Frost’s residency at Flat Time House. A reflexive exercise, these works have been made whilst living and working in a home, gallery and archive. They have developed out of an investigation into the role of artists within a community, and the way in which the living conditions of artists have been politicised through the current culture of property speculation, and property guardianship programmes in particular. Alex’s work is made not with any critical distance but rather from a conflicted and implicated position.
2 April–17 May | Opening 1 April 6–9pm
’pataphysics and transactions between Barry Flanagan and John Latham
Curated by Jo Melvin, Palindromes looks at Barry Flanagan and John Latham’s preoccupation with ’pataphysics.
18 January–1 March | Opening 17 January 4–8pm
Flat Time House presents Winter Garden, an exhibition and events programme, made in response to John Latham's garden in winter. Participating artists include: Anna Best, Annabel Nicolson, Audrey Reynolds and Anne Tallentire, with shadow play performances by Gill Eatherley, garden interventions by Perdita Fenn and a performance by Nina Wakeford.
Alongside the exhibition will there will be a series of events, including an evening of readings of new writing by Jean McNeil, Audrey Reynolds, Cherry Smyth, and a film programme curated by Maria Palacios Cruz and Filipa Ramos.
Curated by Lucy Reynolds.
DR SINCLAIR'S DRAWER Katrina Palmer with Samuel Hasler, Francesco Pedraglio and Sarah Tripp
9 October–23 November 2014 | Opening Wednesday 8 October 6–9pm
Produced by Book Works and Flat Time House with artist Katrina Palmer following her residency in Summer 2013, and featuring work by Katrina Palmer, Francesco Pedraglio, Samuel Hasler and Sarah Tripp, this exhibition comprises writing, sound recordings, video, sculpture and printed matter, presented in conversation with the physical and symbolic environment of John Latham’s former home and studio.
ICONS OF A PROCESS CARLYLE REEDY
4 September–28 September 2014 | Opening Wednesday 3 September 6–9pm
A solo presentation of works by Carlyle Reedy, also featuring materials, documents and fragments of a career in art, writing and performance that spans five decades. Curated by Karen Di Franco
Simon & Tom Bloor: RESIDENCY WORKS
5 June–27 July 2014 Thursday-Sunday 12-6pm
Simon & Tom Bloor present a series of new sculptural works made during the inaugural PHYNANCE residency that took place at Flat Time House from November 2013 to March 2014.
SOMEONE ELSE CAN CLEAN UP THIS MESS
8 March–30 March 2014 weekends 4–6pm
This series of events at Flat Time House is part of a research project with Electra into the work of the women active in 60s and 70s London. Rather than a direct historical enquiry, each weekend event explores collaborative relationships between artists of this and younger generations, through performance and discussion. Places for all events are limited and must be booked in advance.